- Detail of Ronin 7
Close up of Ronin's feet/legs & surrounding area from the "Ronin 7" stage - Detail of Ronin 4
Here's a close-up of one section (from the "Ronin 4" photo), so you can see the different textures that go into it. On the right section, in the middle, is the first layer of scratching. Around that is a layer of stippling that goes on top of the scratching. I need to finish stippling that center area. On the left, I've done all the stippling and then knocked it back back with light scratching. Now that area needs a little more stippling to fill in gaps and then more scratching to blend it. - Nigerian Goat Kid
Just 3 days old! - Alpaca
- Alpacas
'Pacas with 'Tude - Pygmy Goat
Very stylish Pygmy Goat - Blackbelly Sheep
Handsome ram! - Livestock Guarding Puppy
This little one is 6 weeks old. It's a Spanish Mastiff/Great Pyrenees mix. - Livestock Guarding Puppy
This little one is 6 weeks old. It's a Spanish Mastiff/Great Pyrenees mix. - Chrome Rising 1
Early stage of this one, plenty left to do at this point, but I was happy with how it was going. 6" x 6" scratchboard drawing of a 1941 Cadillac hood ornament. From my own reference photo. - Chrome Rising 2 - Detail
Detail of the 2nd stage - Chrome Rising 2
She's lookin' pretty shiny at this stage! The lower section is the most tedious - where I worked to get a smooth, light value (but not pure white) on the hood of the car. I used an eyebrow tattoo needle to pull off some of the black (the rougher parts that are still visible) and a #16 X-acto blade to carefully blend the rough pattern. You can see the final value in the upper left section of the hood. - Chrome Rising 3
She's all blocked in at this stage! Plenty of fine-tuning left to do... - Chrome Rising 4 - Detail
Detail of stage 4 - Chrome Rising - Final
"Chrome Rising" - 6" x 6" scratchboard. 1941 Cadillac hood ornament, from my own reference photo.
Scratched with a #16 X-acto & an eyebrow tattoo needle (on the hood of the car), re-inked (stippling) with a technical pen.
I was mostly happy with the previous version of this drawing, but the contrast between the hood & the background in the corner bothered me. It pulled the eye right off the edge. I re-worked the hood to make it darker and now it reads better. I stippled with a technical pen to make the entire hood darker, and then scratched to blend & add highlights.
Part of the reason I didn't anticipate the issue in the corner is that I usually erase the backgrounds in Photoshop to save printer ink and avoid distraction from the subject. This a case where that worked against me, because in the photo, the background was white, so I wasn't seeing that contrast between the hood & the solid black background until I was finished. See the next 2 images - my reference photos...